Wednesday, March 6, 2013

8.) The Secret Life of Bees by Sue Monk Kidd


            South Carolina 1964 is the beginning of Sue Monk Kidd’s debut novel, “The Secret Life of Bees” during the ever uncomfortable segregation period of America. Lily Owens is a fourteen year old girl living with her dower and somewhat sadist father whom she affectionately refers to as T. Ray rather than father. Haunted and confused about the death of her mother, Lily has no friends other than her surrogate mother, nanny and black woman, Rosaleen. All is quiet and normal in their town until politics and the rights of people are put into questions, Lily decides to change her fate and runaway with Rosaleen, who is targeted by racists to the town Lily believes might connect them to her mother’s misty past. Sue Monk Kidd paints a vivid picture of the horrors of the south and it’s prejudices against African Americans and is the precursor to another famous book about black and white relations, “The Help,” by Kathyrn Stockett. And like the other, Kidd is white. Is this the product of white guilt or is this story one that stands alone as just any other regardless of the authoress skin color.

            The first thing to look at is the major characters; Lily Owens, Rosaleen, August, June, May, and Zach. Lily seems no more than our observer into the African American world as she is a guest in August’s home. Lily and Rosaleen wander into an African American town where white people are scarce and for once Lily is in the minority. She too though has her own prejudices, assumptions but they are changed as she watches the three women and keeping of the bees and business. To Lily, August shows the supreme of wisdom knowing more than her years and shames Lily’s own thoughts on the intelligence of African Americans.  June is equally sophisticated but brings about another part of racism that neither Lily nor most readers would consider. May is the life and laughter of the three and holds the most sorrow but barely as her feeble mind is able. Though simple and kind she not completely ignorant to the world, it is just the opposite. She knows it all and feels it all but like a pitcher with small holes she cannot hold it all in. Zack’s introduction is late but he keeps presence on the page. He befriends Lily regardless of her color and holds some admiration to her. Even less on page but still present is T.Ray, Lily’s bitter father who is still desperately looking for her. He holds the biggest secrets and yet we only see so little of him.

            Neither the characters are written or perceived as stereotypical, at least not in the time period it was written. I could be said that August is like the “Magical Black Woman/Man” who sprinkle wisdom on the poor little white girl as she struggles through her inner conflict. It would be no different than Will Smith’s role in “The Legend of Vance,” where he mentors a white golfer. Whereas Will was figment, August is real but still mentoring Lily as she come of age. Yet June does not warm up to Lily, she is skeptical and downright rude to Lily because of what her skin represents to June and her kind. So does it balance it out?

            I saw the sprinkled subtext and however I was not offended by it. To someone who believed that African American to be limited in intellect and primal, the Calendar Sisters would be at first a shock and later the highest admiration would follow. And for Sue Monk Kidd who had grown up in the south during this troubled period and feeling guilty later as an adult for not engaging in African Americans until her college years, I could see how she would too raise their stature far from the ill conceived sterotype of that era. I enjoyed it for what it was worth…

            I wonder what the movie is like?

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